Pre-order of Blocks of Color Blocks of Sound. You get 2 tracks now (streaming via the free Bandcamp app and also available as a high-quality download in MP3, FLAC and more), plus the complete album the moment it’s released.
Purchasable with gift card
releases May 9, 2024
$10USD
Record/Vinyl + Digital Album
Includes digital pre-order of Blocks of Color Blocks of Sound.
You get 2 tracks now
(streaming via the free Bandcamp app
and also available as a high-quality download in MP3, FLAC and more), plus the
complete album the moment it’s released.
Laden with subtle detail, "Blocks of Color Blocks of Sound"—the debut album of Brooklyn-based experimental pop artist Membra—rewards the listener for close observation. On its face, it is an album filled to the brim with monumental hooks and home cooked synthesizers, gentle fingerpicked guitar and noise odysseys. But just beneath the surface lies an array of gifts: a haze of environmental sound, an unexpected church bell, and murmuring harmonies suffuse the mix like a passing conversation; complex games of rhythm and harmony flow as easily and intuitively as a nursery rhyme. It is a musical terrarium—a self-contained universe of miniatures, moving in and out of focus against a backdrop of change.
Lyrically, "Blocks of Color Blocks of Sound" tends toward the quotidian: love, anxiety, communication, and colors, sandwiched between musings on an America that’s lost the plot. But as in life, it is the surroundings that create context and meaning. A self-soothing chant (“You’re fine / you’re all right / you’re okay / you’re fine”) gives way to a musing on cosmic-scale processes, returning as a triumph; fixed lyrical melodies (“Baby do you always feel so blue?”) detach and recontextualize themselves over shifting harmonies, allowing the words to take on new colors.
True to its name, "Blocks of Color Blocks of Sound" feels modular: no matter how they are arranged, its elements will hold some value. But it’s the process of arriving at that perfect configuration, of trying every possible combination and sometimes getting lost along the way, that gives it purpose and meaning. To say that the journey is greater than the destination is a cliché, but it works—this is an album that emulates and exudes life.
credits
releases May 9, 2024
Produced, Written and Performed by Ned Porter
Mixed by Jack Mullin
Mastered by Paul Mac of Hardgroove Mastering
Drums on “Red and Blue” by Andrew Libenson
Strings on “Always blue” by Ginger Dolden and Pete Lanctot
Piano on “Shingle” and “Always Blue” Recorded by Jack Mullin
Arrangement Help on "Shingle" by Sam Smith
For Amy Pedulla
Special thanks to Jazz Adam, Antoni Scarano, Colin Manjoney, Dove Kohan, Kat Hornstein, Cody Defalco, Oliver Pedulla, Gabe Cohn, Eli Dreyfus, Danny sullivan, Nic Koller, Paola Gallio, Angel Deradoorian, Jeff Bartell, Will Scott, Noah Prebish, Anar Badalov, Evan Becker, Justin Pottle, Talia Steinman, Nathan Watkins, Jason Loeb, Zola Brown, Katherine Houle, Charlotte Porter, Mom and Dad.
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